“A project where each component can stand on its own, while still belonging to a unified whole” – Michelle Kranot, Peter Fisher, Kathrine Fremming (THE GARDEN SAYS…)

Agnese Pietrobon

How does an immersive work come to life and evolve? At XRMust we often ask ourselves this question, and one of the most rewarding experiences for me, both as a writer and as a participant, has been the chance to follow from afar the evolution of THE GARDEN SAYS... (formerly GARDEN ALCHEMY) by Michelle and […]

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HTC’s new VIVE ORIGINALS experience ventures into the realm of performance art and the metaverse

VIVE ORIGINALS, a content brand under HTC VIVE, will be debuting exclusively a VR experience version of the immersive metaverse theatre project “Light the Night: Redhat Killer” at the upcoming MWC Barcelona. This theatre project is made with volumetric capture,

“New ideas are emerging to keep our festival alive” – Michael Swierczynski (NewImages)

Building bridges with Asia (a strong partnership with Taiwan) and other continents (Africa was guest of honor 2020), this 100% (...)

New Canvas to adapt LGBTQ+ best-seller WHEN BROOKLYN WAS QUEER in virtual reality

New Canvas, a pioneering, XR entertainment studio that produces and publishes immersive entertainment with an unapologetic focus on stories with social impact for digital-first audiences, today announced that it was developing a VR series based on Hugh Ryan’s acclaimed book,

VR Videogame THE LAST WORKER unveils an A-star casting including british actor Jason Isaacs

Wired Productions, Oiffy and Wolf & Wood today revealed the world-class talent delivering the inspired narrative in the forthcoming, award nominated adventure, THE LAST WORKER. Created by Writer / Director Jörg Tittel – and the only video game selected by

“Avatars as extensions of ourselves that offer new perspectives” – Kazuki Yuhara (FIRST VIRTUAL SUIT)

A bright experiment in an often serious field, FIRST VIRTUAL SUIT turns identity into play, showing that immersive storytelling doesn’t always lose its effectiveness when it makes you laugh rather than cry. Cover: FIRST VIRTUAL SUIT, Kazuki Yuhara (Cinemaleap) In

“To bring people in inaccessible physical and emotional spaces” – Sam Wolson (Reeducated)

Part of the lineup for the Virtual Cinema Competition at SXSW Online 2021, Reeducated, directed by Sam Wolson and based on the research and reporting of Ben Mauk, is immersive journalism at its best: a VR piece that makes you