Onassis ONX: chasing the dream of sustainable XR Presentations (TECHNE @ BAM)

Danielle Giroux

Onassis ONX is leading the way in New York when it comes to XR presentations. Digging deeper through several interviews with founding members from Onassis ONX that had works presented during the first edition of TECHNE at BAM (Brooklyn Academy of Music), it’s clear that this is blossoming into something remarkable. Beneath the cutting-edge tech […]

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“You immerse yourself as a spectator, then you become a participant” – Michelle Kranot (THE HANGMAN AT HOME)

When we discussed THE HANGMAN AT HOME with its co-creator Michelle Kranot, it was only one of 2 projects produced by the french (...)

“Our aim is to use digital technologies to protect heritage and history, especially in war-torn countries” – Yves Ubelmann (Iconem)

Yves Ubelmann, founder and CEO of Iconem, a company specializing in heritage digitization, tells us about his teams’ work in dangerous areas, their collaboration with major technology companies such as Microsoft, and their first immersive exhibition with the Louvre. The

Recto VRso splits its 2021 edition with two exhibitions, Emergence and Restitution

For its upcoming edition, Recto VRso reinvents itself and reshapes its format by combining a virtual exhibition and a restitution in the physical world. The 4th edition of the international digital art festival Recto VRso will take place online from

Villa Formose / “With BEAR MY SOUL and PIETRA, it’s the non-verbal, collective language that matters” – Joséphine Derobe

Immersive filmmaker Joséphine Derobe presented BEAR MY SOUL, her project inspired by the dream world of the animist peoples of the Far North, at the Kaohsiung Film Festival 2024 in Taiwan. She also unveiled the prototype of her new project

“Beyond Reality continues to contribute to a global creative infrastructure” – Jay Kim (BIFAN)

One of our favorite events returns in July! The BIFAN, and its Beyond Reality section (July 1-18), will present as always a rather large line-up of immersive contents – among the most representative of this year’s productions, without ignoring a

BLACK CATS & CHEQUERED FLAGS: a museum-ready location-based XR blueprint led by Elisabetta Rotolo

Museums are no longer asking whether immersive experiences “can work” in their walls. The real question is whether they can work at scale, with mixed audiences, tight operational constraints, and an institutional standard of meaning that goes beyond spectacle. BLACK