NOIRE (COLORED) is an experiment that deals with racism and segregation in the USA in the 1950s - with an uncommon universality, reinforced by the choice of mixed reality. Between real-life settings, multimedia narration and a subject that's still (unfortunately) topical, we take a look back at a work that travelled from the Centre Pompidou […]
BIOLUM is a VR experience directed by Abel Kohen that had its première at SXSW Online 2021: a work with narrative at its core that uses the potential of VR to talk about science fiction. There are some worlds that
The BFI London Film Festival, in partnership with American Express, today announces the complete line-up for LFF Expanded, the Festival’s Immersive Art and Extended Realities strand, which runs from 5-16 October 2022. Programmed by Ulrich Schrauth, the BFI’s Immersive Art
How can digital arts organisations bring in a business mindset while maintaining artistic integrity as major producers of digital art? DI/S – Digital Inter/Section, a multiyear project supported by Creative Europe, is releasing four case studies of new business models
The event of the year is SXSW (March, 10-19)! In the absence of immersive programming at its Park City art house cousin, Austin is becoming the primary international showcase for XR experiences. A dense line-up to discover below. XR Experience
For her work BLOODLESS, Gina Kim received the Best VR Story Award from the Venice Film Festival in 2017. TEARLESS, the second installment of her trilogy on US military comfort women. I had the chance to share an in-depth conversation
“We must be willing to attend events and try things in VR that wouldn’t normally interest us. The best way to find the will and energy to do that is to do so with trusted peers.” – Michael Barngrover (XR