“We are living a technological revolution” – Violeta Ayala (HUK, THE JAGUARESS @ CPH:DOX Inter:Active)

Agnese Pietrobon

"With CPH:DOX coming to a close, and following an exciting awards ceremony where two works from CPH:LAB were recognized for their excellence, we’re thrilled to share the first of our encounters in Copenhagen with immersive artists. Violeta Ayala is an award-winning filmmaker, artist, and technologist, as well as the first Quechua member of the Oscars. […]

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“Reality is not a simulation” – Caspar Sonnen (IDFA DocLab 2024)

The DocLab section of the IDFA is a key event for digital creation, in the broadest sense of the term, and returns this year with a new program of excellence, and a professional Forum showcasing future projects in the sector.

“OTO’S PLANET is an interactive work that reflects on the absurdity of our contemporary society” – Gwenael François, Julien Becker (Skill Lab)

If you haven’t heard of Luxembourg-based studio Skill Lab yet, memorize it. In addition to the world premiere of their experiment OTO’S PLANET at the Annecy Festival in Competition, Gwenael François and Julien Becker participated in the production of MAMIE

Gateway to the Future: HONOR Transforms Iconic UNESCO World Heritage Site Through XR

Global technology brand HONOR today announced Gateway to the Future, an initiative designed to enrich cultural heritage through the power of technology. Launched during its IFA 2022 keynote, HONOR challenged two popular artists to creatively reimagine the Wasserschloss, an iconic

“It’s time to make immersive creation part of the long history of the narrative arts” – Thierry Frémaux, Elie Levasseur (Cannes Film Festival – Immersive Competition)

After several years at the heart of the Market, and a reduced presence in favor of a broader discussion of innovation with Cannes NEXT, virtual reality (and immersive creation as a whole) is back in force at the heart of

“VR might be the medium that I have been looking for” – Ethan Shaftel (AJAX ALL POWERFUL)

We noticed Ethan Shaftel's work some time ago, his virtual reality films with fantastic, funny and terribly enthusiastic universes. (...)

“Music should be used as an interactive component for the viewer” – Cyrille Marchesseau (PAPER BIRDS)

Long before the global health crisis, French composer Cyrille Marchesseau (based in Bordeaux) was already used to working remotely. Whether for French, Argentinean or American productions, the author of the soundtracks for GLOOMY EYES, JAILBIRDS or PAPER BIRDS (among others)