“I’m more and more invited to discover projects at their early stage of development – and that’s great!” – Jimmy Cheng (Iconic Engine)
Distribution is the central issue for XR creators and producers today. Who to sell their projects to, where,…
Author
A law graduate, Mathieu Gayet focuses on new media and immersive creation. In 2017, he founded XRMust.com (+1000 articles and interviews, a leading global XR database). Since 2019, he has supported major industry events, from the Geneva Digital Market to the Cannes Marché du Film and beyond.
Jan 13, 2021
By Mathieu G.
Distribution is the central issue for XR creators and producers today. Who to sell their projects to, where,…
Jan 12, 2021
By Mathieu G.
iQIYI Inc, an innovative market-leading online entertainment service in China, is pleased to announce that its original interactive…
Jan 4, 2021
By Mathieu G.
2020 will have been a special year, but the XR artistic scene will have known how to exist…
Jan 3, 2021
By Mathieu G.
The following interview includes such little-known names as The Simpsons, Gorillaz or Aardman (and more). We take a…
Dec 24, 2020
By Mathieu G.
Virtual reality found its first audience when the video game industry took interest in it. While the largest…
Dec 20, 2020
By Mathieu G.
As we did last year, we are pleased to welcome you as the main jury member for this…
Dec 19, 2020
By Mathieu G.
Taiwan is a priceless place for immersive storytelling. At the crossroad of artistic creation and hardware innovation, the…
Dec 18, 2020
By Mathieu G.
French immersive production company Atlas V bought last year the creative studio Fauns (in Lyon), renamed since Albyon.…
Dec 15, 2020
By Mathieu G.
The Sundance Film Festival was one of the last major events of 20202 to run smoothly. We were…
Dec 11, 2020
By Mathieu G.
The year is 1993, PC games are not really trying to look better since the ’80s, 3D graphics…
Dec 10, 2020
By Mathieu G.
From the Apollo Missions to the future of aerospace – New app released with thrilling VR film journeys…
Dec 9, 2020
By Mathieu G.
We discovered Enrique Agudo’s last immersive work during the online Tribeca 2020 edition where it got its World…
