There was an irony at the core of IDFA’s DocLab programme this year. Distribution, which has long been a topic of conversation in the community,
For five years now, Ágnes Karolina Bakk and András Szabó have brought tightly curated VR exhibits to the Verzio Human rights documentary festival. In 2015,
Partly because of my classical studies, partly because of those in psychology, the phrase γνῶϑι σεαυτόν (“Nosce te ipsum”, in English “Know Thyself”) has always
(This article was originaly published in French) If accessibility, enshrined in French law, is everyone’s business, what is it like in the world of XR?
Every year for the past six editions of the Venice Film Festival, the cultural association fanheart3 joins this international event with a collateral award (to
This year the Cannes Film Festival made the historic decision to create the “Immersive Competition”, a new category the festival has included, alongside the “Palme
The server’s on fire and we’re looking the other way? This misleading phrase caustically reflects the digital and ecological challenges ahead. At present, the environmental
For a long time, those involved in XR and digital creation have been sailing at a dead end: what is the environmental impact of digital
February 2024 is a historic month for the world of extended reality (XR) and its creators. And in more ways than one. If the launch
Phenomenal friction. When the New Media team at IDFA came up with this title, they knew it would reflect a recognition of tensions around the
