From the MIT Media Lab x WORLDING 2025: “We want to learn from you”
WORLDING 2025 is an experimental incubator empowering a select cohort of creators and XR productions, a deeper look…
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Articles, interviews and analysis from XRMust.
WORLDING 2025 is an experimental incubator empowering a select cohort of creators and XR productions, a deeper look…
The 8th edition of the NewImages Festival opens its doors to professionals and the general public from Wednesday…
Onassis ONX is leading the way in New York when it comes to XR presentations. Digging deeper through…
Last month saw the opening of the 3rd Biennale des Imaginaires Numériques organized by Chroniques. Spread over Aix-en-Provence,…
In 1989, speaking of virtual reality, Jonathan Carey wrote that “spectacular power cannot be reduced to an optical…
There was an irony at the core of IDFA’s DocLab programme this year. Distribution, which has long been…
For five years now, Ágnes Karolina Bakk and András Szabó have brought tightly curated VR exhibits to the…
Partly because of my classical studies, partly because of those in psychology, the phrase γνῶϑι σεαυτόν (“Nosce te…
(This article was originaly published in French) If accessibility, enshrined in French law, is everyone's business, what is…
Every year for the past six editions of the Venice Film Festival, the cultural association fanheart3 joins this…
This year the Cannes Film Festival made the historic decision to create the “Immersive Competition”, a new category…
The server's on fire and we're looking the other way? This misleading phrase caustically reflects the digital and…