Last month saw the opening of the 3rd Biennale des Imaginaires Numériques organized by Chroniques. Spread over Aix-en-Provence, Marseille, Avignon, Arles and Istres, exhibitions, workshops,
In 1989, speaking of virtual reality, Jonathan Carey wrote that “spectacular power cannot be reduced to an optical model but is inseparable from a larger
There was an irony at the core of IDFA’s DocLab programme this year. Distribution, which has long been a topic of conversation in the community,
For five years now, Ágnes Karolina Bakk and András Szabó have brought tightly curated VR exhibits to the Verzio Human rights documentary festival. In 2015,
Partly because of my classical studies, partly because of those in psychology, the phrase γνῶϑι σεαυτόν (“Nosce te ipsum”, in English “Know Thyself”) has always
(This article was originaly published in French) If accessibility, enshrined in French law, is everyone’s business, what is it like in the world of XR?
Every year for the past six editions of the Venice Film Festival, the cultural association fanheart3 joins this international event with a collateral award (to
This year the Cannes Film Festival made the historic decision to create the “Immersive Competition”, a new category the festival has included, alongside the “Palme
The server’s on fire and we’re looking the other way? This misleading phrase caustically reflects the digital and ecological challenges ahead. At present, the environmental
For a long time, those involved in XR and digital creation have been sailing at a dead end: what is the environmental impact of digital
