“We formatted the project in such a way as to appeal to the widest possible audience” – Lui Avallos (QUEER UTOPIA: ACT 1 CRUISING)
Lui Avallos’ QUEER UTOPIA: ACT 1 CRUISING a queer man who is losing his memory recalls times from…
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XR Magazine
Articles, interviews and analysis from XRMust.
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articles Showing 193–204
Developing an international network of creative industries: the Villa Formose residency, between France and Taiwan
The development of the cultural and creative industries, particularly in terms of immersion and new media, owes much…
“Encouraging an exhibition culture that helps new formats emerge” – Liz Rosenthal (Venice Immersive 2024)
Today’s announcement of the Venice Immersive 2024 line-up opens the door to our (frenzied) anticipation for this festival,…
Venice Immersive 2024: rendez-vous on Lazzaretto Vecchio (everything you need to know)
The selection of projects for Venice Immersive, the XR – Extended Reality section of the 81st Venice International…
MUTEK Montréal: 25 years of exploration between creation and innovation
MUTEK is now internationally renowned for its cutting-edge digital programming. With venues on 4 continents and in 7…
“Developing a game in mixed reality requires working on the materiality of the gameplay” – Russ Harding (THE INFINITE INSIDE)
Last January, Saltwater Games announced the acquisition of Maze Theory Limited (including Nexus Labs and Quantum Interactive), a…
Portrait: Vincent Morisset, AATOAA to play…
The career of Vincent Morisset, one of Canada's leading artists, is a reflection of his character: generous and…
PatchWorld 2/2 – What can you use it for?
Connected music lover community or music creation application? PatchWorld is both: it provides virtual worlds in which music…
PatchWorld 1/2 – Between musical creation and virtual community, with Mélodie Mousset
Connected music lover community or music creation application? PatchWorld is both: it provides virtual worlds in which music…
“The history of music is the history of its technological innovations” – Roman Rappak (RISTBAND)
After a successful presence at SXSW, immersive technology and creative studio Ristband just visited GITEX Africa, Morocco, where…
“I consider virtual reality to be an altered state of consciousness” – Adelin Schweitzer (deletere)
An iconoclastic artist committed to hybrid public performance and technological experimentation, Adelin Schweitzer founded deletere laboratories in the…
“With ASTÉRIX: MISSION POTIONS! we want to prove that content is the key element of our strategy” – Benoît Bouthinon (Virtual Room)
Just as the Annecy festival was discussing the importance of brands (or IPs in English) in immersive creation,…