“It seemed essential to us to offer a truly positive and enlightening experience, and not a documentary on the end of life” – Isabelle Andreani (NANA LOU)
How do you take a strong social theme (the end of life, a complex, if not taboo, subject)…
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XR Magazine
Articles, interviews and analysis from XRMust.
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articles Showing 217–228
“OTO’S PLANET is an interactive work that reflects on the absurdity of our contemporary society” – Gwenael François, Julien Becker (Skill Lab)
If you haven't heard of Luxembourg-based studio Skill Lab yet, memorize it. In addition to the world premiere…
The multi-sensory experience IN PURSUIT OF REPETITIVE BEATS is scheduled for an eight-city UK tour
We were there. We were there. Back in 1989. It’s so emotional. An experience that is second to…
“The whole project contemplates how we search for life” – Eliza McNitt (ASTRA)
With her passion for space and space exploration, Eliza McNitt contributed to the boom in virtual reality with…
VR, Desktop Mode And Long-Awaited New Features are coming to Shapelab
The latest version of the popular VR 3D modeling software Shapelab comes with a VR and desktop mode,…
“To create an experience that gives you a sense of shelter, where you are no longer judged” – Ana Brzezińska (Tribeca Immersive 2024)
Kicking off next June 6 is the 13th edition of Tribeca Immersive: an innovative program in a brand…
Marshmallow Laser Feast’s unveils SWEET DREAMS “a mesmerising blend of motion graphics, gaming, illustration and cinema”
Factory International and award-winning art collective Marshmallow Laser Feast (MLF) set out to redefine the boundaries of storytelling…
CPH:LAB 2024: Anamnesis, Fay: Carving Memories, Paradise Lost (part 3)
We have now come to the third and final part of our excursus on the CPH:LAB and the…
XR&Games, Competition, Work in Progress… Discover the entire immersive program of Annecy 2024
The world’s premier animation festival, Annecy (and its market, MIFA), is well aware of immersive innovations. With an…
“Integrating several mythologies into the story allowed us to develop a more universal experience” – Poulomi Basu, CJ Clarke (MAYA: THE BIRTH OF A SUPERHERO)
By turns a virtual reality animated film, an interactive pop culture experience or a work with an impact…
Editorial⎜Marshmallow Laser Feast, And Why The Cannes Immersive Competition Could Change Everything For XR
This year the Cannes Film Festival made the historic decision to create the “Immersive Competition”, a new category…
“Immersive experiences shall open up multi-layered discussions between all generations, between all perspectives of this world” – Ioana Mischie (HUMAN VIOLINS – PRELUDE)
Ioana Mischie is a Romanian-born transmedia artist and futurist, active in the field for almost 12 years. She…