End Of An Era? Felix & Paul Studios Reportedly Closes In Montreal
One of the most influential studios in immersive storytelling appears to have reached the end of a major…
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XR Magazine
Articles, interviews and analysis from XRMust.
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articles Showing 49–60
EXCLUSIVE: VELVET FLARE Entrusts Its Leadership to Two Artists and Filmmakers
Digital artists and filmmakers Nicolas Blies and Stéphane Hueber-Blies take the helm of VELVET FLARE. The Luxembourg-based company…
STYLY: Building a Bridge Between XR Creation, LBE Distribution and Japan’s Next Immersive Market
As location-based entertainment continues to reshape the way immersive works reach audiences, the question is no longer only…
Venice Immersive’ 10⎜Ricardo Laganaro: making space for new voices without losing our memory
Years ago, my heart was stolen by a tiny character inhabiting a miniature world of railway crossings, flower-filled…
Beyond the Hype: Why the Immersive Industry Is Finally Talking About Business
The Immersive Revolution (2026 Edition), published by Peter Tullin through REMIX Summits, sets out to capture a sector…
Museu da Imagem e do Som do Ceará: Reflecting on Immersion Through Archives and Territories in Brazil
In Fortaleza, the Museu da Imagem e do Som do Ceará (MIS CE) occupies a distinctive position. It…
ONX Relay: A New Infrastructure for Producing and Touring Contemporary Digital Art, by the Onassis Foundation
Inaugural cohort features newly commissioned works by Trevor Paglen, Maya Man, and Ben Frost, developed through funding, production…
After ALIEN RESCUE, Jason Moore Opens a New World with SECRETS OF GARA
For more than six years, Jason Moore has been pursuing a deceptively simple idea: what if entering a…
Fever, From Platform to Operator: What Immersive Producers Can Learn From a Global Entertainment Business
Fever is often described, from the outside, as a ticketing platform. For many producers, venues and experience creators,…
VisionR Agency: 360° Filming, or the Art of Eliminating Off-Screen Areas
With ICE SAILOR and CARBON BLACK, VisionR Agency is exploring a field that remains relatively uncommon in French…
Venice Immersive’ 10 | Celine Daemen: “We need to stay true to what makes our medium special”
Last year, I had already had the chance to speak with Celine Daemen, in an exchange that later…
Editorial⎜“La Soglia necessaria”: entering immersive worlds without disappearing
Even today, every now and then, I hear someone say that cinema and television are passive media: the…