Lincoln Center as an Open-Air Immersive Lab: Jordana Leigh’s Method for Bringing XR Into the Season
Immersive work is no longer a side attraction tacked onto a performing arts calendar. At the Lincoln Center…
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Articles, interviews and analysis from XRMust.
Immersive work is no longer a side attraction tacked onto a performing arts calendar. At the Lincoln Center…
Film Fund Luxembourg occupies a singular position within the European ecosystem: a powerful public instrument, backed by a…
Museums are no longer asking whether immersive experiences “can work” in their walls. The real question is whether…
Müzeverse, now the main operator for immersive experiences in Istanbul and Türkiye, was engineered, step by step, in…
Bruno Ribeiro describes himself as a show director and media artist, with a straightforward guiding principle: to create…
Launched in 2021 by the Quebec association Xn Québec and the French cultural agency {CORRESPONDANCES DIGITALES], Numix Lab…
On March 7, 2026, L’Hybride will reopen in Lille, transformed into the first immersive video mapping venue in…
Between meetings at IFFR, the conversation with Isobel Knowles and Van Sowerwine quickly moved beyond the usual “how…
The appetite for major cultural experiences has always been a vertical business for growing XR. From the outset,…
At the latest Museum Connections event (January 13–14, 2026, Paris Expo Porte de Versailles), the stands are no…
Eight years after its creation, Atlas V has formalized a major development that has just been announced by…
An in-depth look at Jamie Armitage’s new stage production, A GHOST IN YOUR EAR, currently running at London’s…