At IFFR 2026, Art Directions Turned 30 and Kept Pushing Cinema Outside the Frame
Following our visit to Rotterdam this winter, IFFR’s position in immersive and expanded moving-image culture feels increasingly clear.…
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French XR in Benelux
Articles, interviews and analysis from XRMust.
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articles Showing 1–8
With CIIIC, the Netherlands aims to become a champion of immersive technology
In the context of the international structuring of XR, the Netherlands has, in recent months, set up a…
Luxembourg scales up: when a European public fund transforms immersive technology into an industry
Film Fund Luxembourg occupies a singular position within the European ecosystem: a powerful public instrument, backed by a…
Luxembourg, a co-production territory serving immersive and audiovisual creation for Tarantula
For thirty years, Tarantula has occupied a special place in Luxembourg's audiovisual landscape: that of an independent producer…
From Animation to Immersive Stories: How Richard Valk Builds International XR Collaborations
Meeting Dutch producer–director Richard Valk is a sharp way to read the Dutch landscape. Through Valk Productions, founded…
Building a VR Museum for the Next 10 Years: Vincent Slangen’s ENTR Project in Amsterdam
Amsterdam is about to get a new kind of museum. In 2026, ENTR will open near Central Station…
BOZAR: anatomy of an institutional model for European immersive art
European XR is going through a gray area: ambitious works are proliferating, festivals are multiplying, public funding is…
Expanding the Emotional and Social Reach of Immersive Storytelling – A Conversation with An Oost (Cassette for timescapes)
With a catalogue that bridges socially engaged documentary, artist-driven storytelling, and carefully crafted immersive formats, producer An Oost…