Interview
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Judi Alston – Building empathy through immersive storytelling
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“I want to create works where the body becomes a source of doubt, perception a game of vertigo, and fear a subject for reflection”—Adelin Schweitzer (THE SUTHERLAND TEST)
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“Create an experience, not a film” – Jonathan Griffith (TOUCHING THE SKY)
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At DOK: a deep dive into Leipzig’s DOK Neuland and DOK Exchange programmes
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“If you want to create empathy, it doesn’t matter what kind of medium, there’s craft in telling the story” – Steye Hallema (ANCESTORS)
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“Festivals matter more than ever, as places where work is promoted, ideas circulate, and different viewpoints are expressed” – Anaïs Emery (GIFF 2025)
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“it was all about creating and maintaining a trust and a transparency in the process between the participants and the creators” – Mads Damsbo (DARK ROOMS)
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“Having a strong digital ecosystem should encourage the local art scene to take an interest in it” – Ondřej Moravec (Art*VR Festival 2025)
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“A story built on multiple layers of time and space that naturally lend themselves to the medium of VR” – Singing Chen, Chuan Ming-Yuan, Huang Yu-Jie (THE CLOUDS ARE TWO THOUSAND METERS UP)
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“Making films for Vision Pro is a return to a true cinematic approach” – Frank-David Cohen, Sixtine Rose (Immersive Flashback)
