“On veut retrouver les publics silencieux à l’aide d’une proposition de cinéma hybride” – Pierre Emmanuel Le Goff (La 25e Heure)
Durant l’année Covid les salles de cinéma, les festivals, ont été plusieurs mois à l’arrêt. Mais quelques idées…
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Interview
Articles, interviews and analysis from XRMust.
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articles Showing 373–384
“EVE aims to break the loneliness of a virtual experience” – Margherita Bergamo (Compagnie Voix), Daniel González (Omnipresenz)
Margherita Bergamo (choreographer) and Daniel González (VR interaction designer) made a name for themselves in 2019 with their…
“Beyond Reality continues to contribute to a global creative infrastructure” – Jay Kim (BIFAN)
One of our favorite events returns in July! The BIFAN, and its Beyond Reality section (July 1-18), will…
“Using VR to preserve real marine animals for future generations” – Michal Lovecky, Ninja Mueller (HOW IS THE WATER)
HOW IS THE WATER is a “virtual ocean experience with real-world impact” that makes ocean accessible for everybody…
“PAPER BEAST is a virtual reality game based on emotions… and algorithms!” – Eric Chahi (Pixel Reef)
PAPER BEAST is an independent video games that managed to have a real life in festivals in a…
“With the XR medium we want to put people on scene” – Nonny de la Peña (Emblematic Group)
She is known as the “goddess of VR”, but far from the skies Nonny de la Peña is…
“We wanted an interactivity as invisible as possible for the viewer” – Thomas Villepoux, François Klein (JAILBIRDS)
Belgian production company Be Revolution Pictures presents the double world premiere of JAILBIRDS, a virtual reality animation film…
“For filmmakers there are plenty of advantages to use volumetric capture” – Piotr Uzarowicz (Arcturus)
When it comes to discussing volumetric capture, certain names come to mind regularly. Los Angeles-based company Arcturus is…
“The global crisis has sparked another interest in creativity” – Ulrich Schrauth (VRHAM!)
We met artistic director and XR curator Ulrich Schrauth last year before the launch of the new immersive…
“From the creative point of view KUSUNDA is a huge evolution from HOME AFTER WAR” – Gayatri Parameswaran, Felix Gaedtke (NowHere Media)
The immersive documentary is in essence dedicated to questioning its audience about the world of yesterday and today.…
“New forms of XR storytelling emerged during Covid” – Loren Hammonds (Tribeca Film Festival)
As a leading event on immersive storytelling (including podcast this year!), Tribeca Film Festival decided to go hybrid,…
“Animation, documentary or fiction… immersive experiences are more and more hybrid!” – Oriane Hurard (Atlas V)
With a double career as a festival programmer (notably the GIFF in Geneva and I LOVE TRANSMEDIA) and…