Editorial⎜IDFA Doclab 2025: OF(F) the Internet

At IDFA Doclab, you can be sure of two things: 1) the ever evolving and creative programming means you never can be sure what you will experience, and 2) whatever it is, you will be surrounded by thought-provoking work, people and conversations. DocLab is always a great way to close out the year – with […]

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Sundance New Frontier 2022 unveils full details of Online & In-Person venues and activities

When the 2022 Sundance Film Festival kicks off on January 20, it invites audiences to participate from wherever they are, including in person in Utah. The 2022 edition of the Festival’s New Frontier section will be a fully biodigital showcase,

Exploring the evolution of immersive performance with the creators of UNCANNY ALLEY: A NEW DAY (part 1)

It’s just days before the Venice Film Festival begins, and a dear friend of mine who works in film criticism and I receive an invitation to one of the press premieres for the live immersive show UNCANNY ALLEY: A NEW

“Our aim is to use digital technologies to protect heritage and history, especially in war-torn countries” – Yves Ubelmann (Iconem)

Yves Ubelmann, founder and CEO of Iconem, a company specializing in heritage digitization, tells us about his teams’ work in dangerous areas, their collaboration with major technology companies such as Microsoft, and their first immersive exhibition with the Louvre. The

9 new media projects selected for the 15th CPH:LAB 2023/2024 in Copenhagen

Nine new international immersive documentary projects have been selected for CPH:DOX’s talent development and training programme, CPH:LAB. The participants will go through an intense development phase and be ready to present their prototypes at CPH:DOX 2024, which takes place in

“Our devices want to offer a more concrete and accurate reality during a VR experience” – Dr. Rolf Adelsberger (Sensoryx)

Touching virtual worlds with your fingertips is one of the goals of Swiss start-up Sensoryx, which has focused its efforts on haptic devices: developing accessories that can improve our interactions in virtual reality. And to approach the precision of the

“On veut retrouver les publics silencieux à l’aide d’une proposition de cinéma hybride” – Pierre Emmanuel Le Goff (La 25e Heure)

Durant l’année Covid les salles de cinéma, les festivals, ont été plusieurs mois à l’arrêt. Mais quelques idées innovantes ont permis de proposer des projections en ligne via des salles virtuelles comme La 25e Heure lancée par Pierre Emmanuel Le