“Executive production as an act of curation” – Liz Rosenthal (Power to the Pixel)

After the recent run at The Observatory in London of Soul Paint, the multi-award winning virtual reality experience by Sarah Ticho and Niki Smit (and one of the winning pieces of XRMust's 2024 XR Awards), we met with executive producer Liz Rosenthal to discuss this side of her profession. As the curator of Venice Immersive […]

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Diversion announces the acquisition of two projects presented at Venice Immersive 2024

Back to the heart of the Venice Production Bridge at La Biennale di Venezia – Venice International Film Festival, the long-awaited back-to-school event for the artistic and immersive ecosystem, which promised to be rich for Diversion through its annual birthday

“The moments when we are together are the ones that really get this industry going” – Mark Atkin (CPH:DOX – Inter:active 2022)

After a 2021 edition we fell in love with, CPH:DOX Inter:Active is back for a mostly in-person event starting today! Fewer works, large and complex installations and the chance to discover a festival, immersive productions – and Copenhagen itself! –

“For live theater we can really take advantage of this new immersive medium and go beyond reality” – Alex Coulombe (Agile Lens)

Alex is one of the XR influencers particularly active on the networks (Twitter, Youtube under the name of iBrews). His passions range from architecture to design, from Unreal Engine to theater: a perfect cocktail to explore the mysteries of today’s

“As an artist, I don’t define my work by the technology I use” – Pierre Zandrowicz (@cinem.ai)

Last year at the Tribeca Film Festival, director and digital artist Pierre Zandrowicz (also co-founder of French studio Atlas V) unveiled his first short film, IN SEARCH OF TIME, developed and produced with the assistance of generative tools boosted by

“With BFI, we are really branching out into more immersive art forms” – Ulrich Schrauth (LFF Expanded 2022)

German XR curator Ulrich Schrauth is a busy man. Through his exploration of immersive creation, he surveys contemporary art exhibitions and meets the most experimental creators of the sector – without denying the entertainment part of the sector. This can

“It is necessary to embrace the diversity of projects presented, especially in a professional market” – Elie Levasseur (XR Financing Market @ NewImages Festival)

In 2021, the NewImages Festival is strengthening its strategic role as a professional marketplace with 41 selected projects and a hundred or so “decision makers” to challenge them, not to mention the conferences and meetings organized online and in Paris.