“VR cinema”: an idea as old as the return of virtual reality content to the general public 10 years ago. It has naturally occurred with the increasing accessibility of headsets, their price and the software interfaces enabling them to be
Is immersive technology bringing film formats back into fashion? While all location-based experiences are on the rise and consolidating their place in the market, video seemed less attractive, between difficulties accessing stores and the stranglehold of real-time engines on productions.
Producer of digital content since 2011, the Danish company Makropol has experimented on all media: LBE since 2014, VR film… On the occasion of the release of their latest productions (END OF NIGHT, ARTIFICIAL AWAKENING, SHADOW…), we met Mads Damsbo,
An absolutely innovative festival with a focus on the audience and the role of the spectator, the GIFF returns from November 3 to 12 for its 29th year, with an immersive section including 28 works, including ten world premieres. An
The new edition of the CPH:Lab came to an end a few weeks ago and once again it has emerged as one of the most educational and motivating experiences offered to talents of the immersive scene today. As in the
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