A new study by Quebec/Canada XR takes a unique look at the current state of the XR creative ecosystem

Mathieu G.

After an unveiling at SODEC's pavillon Québec créatif in the heart of the International Village of the Marché du Film of the Festival de Cannes last Sunday, the Québec/Canada XR study Crafting a Market for Independent XR was officially launched today during the NUMIX LAB at École NAD. This in-depth study, written and led by Dr. […]

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With CIIIC, the Netherlands aims to become a champion of immersive technology

In the context of the international structuring of XR, the Netherlands has, in recent months, set up a national program dedicated to accelerating immersive applications: XR, augmented reality, mixed reality, etc. Entitled CIIIC (Creative Industries Immersive Impact Coalition), it aims

“As producers, we are very excited to see a real LBVR business model around such vivid experiences” – Joel Newton, David Ganek (CityLights)

Since 2018, CityLights has pursued a pioneering path, investing in premium virtual reality experiences and bringing these stories to global audiences. With a passion for elevating VR storytelling to the professional level of traditional filmmaking, co-founders David Ganek and Joel

“I wanted to spotlight indie creators from virtual platforms” – Mária Rakušanová (Raindance Immersive)

The fall brings back the interactive community to the familiar faces of international festivals and events – some virtual, some (...)

Don’t miss DREAM, a live – motion capture performance by The Royal Shakespeare Company

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“I want to create works where the body becomes a source of doubt, perception a game of vertigo, and fear a subject for reflection”—Adelin Schweitzer (THE SUTHERLAND TEST)

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“Working in real time means having a piece that is always evolving” – Gilles Jobin (COSMOGONY)

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