“We need connections to share our experiences with the rest of the world” – Siza Mukwedini (Matamba Film Labs for Women)

Mathieu G.

In 2023, alongside her Matamba Film Lab for Women showcasing creative women in Africa, Zimbabwean producer Siza Mukwedini launched the Matamba Immersiv Festival. A venue for meetings and demonstrations of immersive experiences, it attracted over 1,200 spectators. A first edition that demonstrates the interest of XR on a continent where everything remains to be explored […]

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Matamba Immersiv Festival 2023

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Save the date for Stereopsia 2020 – and Stereopsia Online!

Mixing physical and digital event, Stereopsia - the friendliest XR event - is fully prepared for the new XR world!

A Step Toward The OASIS (1/5): A Mirage

“We aim to create a platform like OASIS.” – If you are interested in the XR industry as of 2020, you may have heard this quote at least once, or even said it yourself. Has the concept in a specific

Tribeca and SXSW XR alumni BREONNA’S GARDEN continues its journey across the US

Last year, in solidarity with Breonna Taylor’s family, artist and curator Lady Pheønix developed BREONNA’S GARDEN, a revolutionary framework for veneration through augmented reality (AR). What began as a single powerful concept has blossomed like the garden itself, offering opportunities

“Our aim is to use digital technologies to protect heritage and history, especially in war-torn countries” – Yves Ubelmann (Iconem)

Yves Ubelmann, founder and CEO of Iconem, a company specializing in heritage digitization, tells us about his teams’ work in dangerous areas, their collaboration with major technology companies such as Microsoft, and their first immersive exhibition with the Louvre. The

“Apple’s Vision Pro is both a continuation and a revolution” – Stephen Stewart (Chief Technology Officer, FACTORY 42)

FACTORY 42 is an immersive technology & experience studio dedicated to impact entertainment, recognised as one of the most prolific XR producers, notably through their collaboration with Sir David Attenborough. The medium is not an issue for them, having delivered

Chroniques 2024 – First edition of Marché des Imaginaires Numériques (MIN): Marseille, European digital crossroads

At the beginning of November in Marseille, some 1,300 professionals from the cultural and creative industries (ICC) gathered for the launch of the Chroniques Bienniale, marked by the inauguration of the new Marché des Imaginaires Numériques (MIN), an event dedicated