spectacle vivant, scènes numériques / “Live entertainment needs R&D” Alexandra Marin (SAT)

Mathieu G.

As a key player in Montreal's digital ecosystem, the SAT (Society for Arts and Technology) has established itself as one of the world's leading centers for innovation and artistic R&D. Dozens of projects are supported in this way, profoundly questioning the role of technology in the creative field, particularly in live performance. Alexandra Marin, R&D […]

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“I shape environments to create emotions” – Mélanie Courtinat (ALL UNSAVED PROGRESS WILL BE LOST)

It was quite different in Venice in a line-up that was finally very oriented towards linear works. More refined, ALL UNSAVED PROGRESS WILL BE LOST does not forget to pass a message. This dreamlike universe was created by the French

The 360 Film Festival unveils its hybrid 2020 edition

More than 90 creations were received from 22 countries. 23 works were selected including 9 interactive, 9 360 videos, 3 Large Formats (...)

“A growing interest in telling big stories through a language that’s much closer to cinema than in the past” – Liz Rosenthal, Michel Reilhac (Venice Immersive 2025)

Nearly ten years after the first edition of the world’s largest international immersive event, Venice Immersive returns with a section that’s richer and broader than ever, both in content… and in space. We spoke with Biennale consultants Liz Rosenthal and

Editorial⎜A look back at IDFA DocLab R&D Summit 2024

There was an irony at the core of IDFA’s DocLab programme this year. Distribution, which has long been a topic of conversation in the community, was front and center at its day-long DocLab R&D Summit. A difficult discussion for any

“Stories that are important for me to tell are often stories that take me out of my comfort zone” – David Adler (END OF NIGHT x SHADOW)

When history reveals its human soul: a closer look at the content and meaning of END OF NIGHT and SHADOW, recently presented at CPH:DOX Inter:Active Did you study history when you were in high school? I remember it was one

“Virtual reality is an unprecedented field of experimentation for creators” – Marion Burger, Ilan Cohen (EMPEROR)

After a stint at the Biennale College de Venise 2021 (followed by a work-in-progress session at Annecy 2023), EMPEREUR makes its world premiere at the Mostra 2023 – in the Venice Immersive Competition. Produced by Atlas V (Oriane Hurard), EMPEREUR