“I always try to bring visual poetry to our animation projects” – Amaury Campion (Studio Geppetto)

Mathieu G.

Studio Geppetto is a French creative studio specializing in animation and motion design for narrative projects in virtual reality—but that's not all. We talk to the studio's founder, Amaury Campion, who is attending Venice Immersive this year with two projects: EDDIE AND I by Maya Shekel (as co-producer) and LESS THAN 5 GR. OF SAFFRON […]

---

Not gonna lie: this part is locked

Memberships help us keep XRMust independent and keep the project growing.

@ Dabatase

@ Magazine

“We need to offer artists a place to express themselves” – Ari Tarr (OFF-RAIL / SEIKUKEN)

Not only Ari Tarr’s latest works offer actors and improvisers a space where they can express themselves. They also open a path to better understand the audience and the psychology behind VR, human interactions and human behaviour. We discussed with

Scientific truth and immersive illusion: XR, the test of reality

Extended reality is not just a new visual language. It is also a field where tensions between scientificity, industry, and memory are replayed. From the September 11 attacks (SURVIVING 9-11) to the Normandy landings (D-DAY: THE CAMERA SOLDIER) and the

“Understanding technical tools for more nuanced artistic choices” – Patrick Muroni (RAVE)

At GIFF 2024, the International Immersive Experience Competition featured RAVE, an immersive work by Patrick Muroni that made its world premiere during the 30th edition of the Geneva International Film Festival. RAVE captures the protagonist’s first rave: a journey of

XR Backstory: PLAYTIME, by Catherine Bazinet, Maxime Boisvert, Ronan Le Gall, Alexis Maher & Charles Tétreault

Selected by the Festival du Nouveau Cinéma (FNC) in 2019, PLAYTIME is a student project produced by Catherine Bazinet, Maxime Boisvert (...)

“The whole project contemplates how we search for life” – Eliza McNitt (ASTRA)

With her passion for space and space exploration, Eliza McNitt contributed to the boom in virtual reality with the success of SPHERES (and a 5-star voice cast). Her return this year with ASTRA, presented as a world premiere in competition

Villa Formose / “To act or to observe: it’s this freedom of the spectator that lies at the heart of the experience” – Mathieu Pradat (ENCOUNTERS)

After several years in development, Mathieu Pradat had a successful year in 2024, presenting two multi-user experiences at festivals. After THE ROAMING at Cannes, RENCONTRES made its world premiere at the Venice Film Festival. This latest project was the result