At the beginning of November in Marseille, some 1,300 professionals from the cultural and creative industries (ICC) gathered for the launch of the Chroniques Bienniale, marked by the inauguration of the new Marché des Imaginaires Numériques (MIN), an event dedicated to the changes brought about by digital creation. So, how did the first edition of […]
An absolutely innovative festival with a focus on the audience and the role of the spectator, the GIFF returns from November 3 to 12 for its 29th year, with an immersive section including 28 works, including ten world premieres. An
Based in Zurich, the studio Inlusio Interactive is dedicated to producing high-impact works that question our relationship with the world. And to facilitate their desire to tell powerful stories in new creative environments, the Inlusio team also develops innovative tools
The server’s on fire and we’re looking the other way? This misleading phrase caustically reflects the digital and ecological challenges ahead. At present, the environmental impacts of XR are not compatible with the decarbonization objectives and trajectories defined for the
German XR curator Ulrich Schrauth is a busy man. Through his exploration of immersive creation, he surveys contemporary art exhibitions and meets the most experimental creators of the sector – without denying the entertainment part of the sector. This can
Winner of the Venice Immersive Grand Jury Prize, Pedro Harres’ From the Main Square is a surprising (and stunning!) VR debut that combines a clear understanding of immersive storytelling with a story and graphics that leave a mark on the
This is one of the most sensitive experiences of Venice Immersive 2022. TMÁNÍ (DARKENING) takes viewers on a journey to better understand the daily life of a person suffering from depression, based on the personal feelings of director Ondřej Moravec.