Preview / DUCHAMPIANA VR with Lilian Hess (creator), Sarah Arnaud (producer)
A project that passed through the Biennale College and the IFFR market in Rotterdam, DUCHAMPIANA returns as a…
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XR Magazine
Articles, interviews and analysis from XRMust.
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articles Showing 289–300
“With AI, there’s a risk of artificial feeling if you don’t step in as an artist.” – Denis Semionov (Sa1nt Denis)
Russian visual artist Denis Semionov (Sa1nt Denis) has settled in France as a result of a family history…
“With COLORED, we had to confront the physical space and the presence of an audience” – Pierre-Alain Giraud (Novaya)
NOIRE (COLORED) is an experiment that deals with racism and segregation in the USA in the 1950s -…
Digital Rise unveils its 2024 new market strategy at Museum Connections
French immersive producer Digital Rise presents its 2024 line-up addressing cultural venues and events with large scale immersive…
“I created a VR experience where I can see things moving in real time inside my own brain” – Ben Joseph Andrews, Emma Roberts (TURBULENCE: JAMAIS VU)
TURBULENCE: JAMAIS VU, an IDFA DocLab 2023 selected experience, is the first part of a series of mixed…
XRMust XR Awards 2023: A Year in Immersive Storytelling
As we embark on a pivotal year for immersive creation (really?), a glance at 2023 immediately confirms that…
“To offer a vision of the future and a greater understanding of the roles we could play in it” – Karen Palmer (CONSENSUS GENTIUM)
With one of the most successful festival runs for an immersive work in recent years, Consensus Gentium is…
Editorial⎪Back from IDFA DocLab: 30 pieces of Phenomenal Friction
Phenomenal friction. When the New Media team at IDFA came up with this title, they knew it would…
Impactful Storytelling in VR: Field Guide released by Inlusio Interactive (Switzerland)
Interactive storytelling studio Inlusio Interactive releases the Field Guide « The Sensations of Spatial Storytelling in VR ».…
“Developing XR in Africa is a real labour of love” – Brian Afande (BlackRhino VR)
Africa remains a little-known continent when it comes to XR creation. And yet, if you take a close…
“To show the invisible and make the inaudible heard” – Fabienne Giezendanner (BLOOM)
Presented as a world premiere last month at GIFF 2023, in the international immersive experience competition, BLOOM is…
“We always need to understand the local context to build a new XR event” – Georgy Molodtsov (Tbilisi VR Days)
Georgy Molodtsov has been a VR programmer and director for many years, active in Russia and Eastern Europe…