“I’m intrigued by AR’s power to transform the world we’re already in, simply by adding a layer of narrative” – Robert Morgan
Two months after the release of his book Storytelling for Spatial Computing and Mixed Reality: The Art of…
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Articles, interviews and analysis from XRMust.
Two months after the release of his book Storytelling for Spatial Computing and Mixed Reality: The Art of…
Jake Oleson’s CURRENTS is an immersive VR180 film made for the Apple Vision Pro in partnership with Vimeo,…
As we await the opening of an exciting new exhibition at London’s Barbican Centre, titled Feel the Sound…
What does it mean to interact with a documentary? In 1991, Bill Nichols proposed six different kinds of…
Four creative teams gathered in the workshop room of a Greek youth centre, unpacking their XR projects at…
Filmmaker and immersive creator Cameron Kostopoulos returned to SXSW with a powerful new virtual reality experience, IN THE…
WORLDING 2025 is an experimental incubator empowering a select cohort of creators and XR productions, a deeper look…
The 8th edition of the NewImages Festival opens its doors to professionals and the general public from Wednesday…
VRHAM!, Hamburg’s leading festival for Virtual Reality art, is evolving and will debut as an independent biennale, redefining…
Given the current economic tensions and geopolitical context, dependence on Big Tech in all sectors has never been…
"With CPH:DOX coming to a close, and following an exciting awards ceremony where two works from CPH:LAB were…
I encountered Nancy Baker Cahill’s work through a seminar at CalArts, where she shared her expansive approach to…