“We wanted to tell stories, but also to get closer to the human element.” Ruby-Maude Rioux (OASIS immersion)
transformé, this is a brand-new immersive show presented in by OASIS Immersion in Montreal. It’s goal: to offer…
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Articles, interviews and analysis from XRMust.
transformé, this is a brand-new immersive show presented in by OASIS Immersion in Montreal. It’s goal: to offer…
This is one of the projects that occupied the line-ups of the co-production forums in 2022. NewImages, GIFF,…
Interactive augmented reality storytelling has been known to simulate an unusual imaginative connection between the audience and the…
While the pandemic has forced the performing arts sector to develop virtual and eventually hybrid formats, in 2022…
Free access to education remains an enduring issue for a lot of children in Africa, especially those living…
From painting to virtual reality: artist Naima Karim has long painted her worlds on canvas. Based on her…
Filming reality for virtual reality is often an outward-looking exercise. With their previous film, SURVIVING 9/11, the French…
Russia has been waging war in Ukraine since 2014. Capturing the reality of this tragedy cannot be done…
ASCENDERS is the latest production made in BackLight, a French creative studio dedicated to free roaming experiences (LBE).…
Paris-based production studio, BackLight specializes in entertainment content for the LBE market, being both present in arcades (in…
Darren Emerson wins IDFA's "Award for Immersive Non-Fiction" with his latest immersive experience, IN PURSUIT OF REPETITIVE BEATS.
Discussion with Tim Jones, co-director of PEAKY BLINDER'S: THE KING'S RANSOM, one of the biggest expectations of Venice…