“A work that showed us how art can foresee reality” – Pedro Harres, Angelina Urbanczyk (FROM THE MAIN SQUARE)
Winner of the Venice Immersive Grand Jury Prize, Pedro Harres’ From the Main Square is a surprising (and…
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Articles, interviews and analysis from XRMust.
Winner of the Venice Immersive Grand Jury Prize, Pedro Harres’ From the Main Square is a surprising (and…
With TU VIVRAS, MON FILS [STAY ALIVE, MY SON], it is an impressive film that was presented at…
German XR curator Ulrich Schrauth is a busy man. Through his exploration of immersive creation, he surveys contemporary…
After the success of GLIMPSE, the British studio Electric Skies continues its exploration of human and sensitive stories…
With their company Virtual Umbrella, Albert Millis and Samantha Kingston have been accompanying brands and events in new…
A look at Eggscape, winner of the Venice Immersive Special Jury Prize at Venezia79, and one of the…
A first 360 film, ALL THAT REMAINS marked the Venice Immersive selection by its singularity. As if the…
Noticed in selection at Venice Immersive 2022, THE MAN WHO COULDN’T LEAVE is one of the three Taiwanese…
Despite the growing sense within me that creative XR is dominated by a few particularly indulgent markets, a…
If you’ve been around the immersive festivals this year, chances are you’ve come across Fabito Rychter and Amir…
Over the past two years, the link between virtual worlds and live events has become increasingly close. Covid19…
Until 2019 the Venice Film Festival was known to host the virtual reality paradise for all creators, with…