“I shape environments to create emotions” – Mélanie Courtinat (ALL UNSAVED PROGRESS WILL BE LOST)
It was quite different in Venice in a line-up that was finally very oriented towards linear works. More…
Tag
Articles, interviews and analysis from XRMust.
It was quite different in Venice in a line-up that was finally very oriented towards linear works. More…
Winner of the Venice Immersive Grand Jury Prize, Pedro Harres’ From the Main Square is a surprising (and…
With TU VIVRAS, MON FILS [STAY ALIVE, MY SON], it is an impressive film that was presented at…
German XR curator Ulrich Schrauth is a busy man. Through his exploration of immersive creation, he surveys contemporary…
After the success of GLIMPSE, the British studio Electric Skies continues its exploration of human and sensitive stories…
With their company Virtual Umbrella, Albert Millis and Samantha Kingston have been accompanying brands and events in new…
A look at Eggscape, winner of the Venice Immersive Special Jury Prize at Venezia79, and one of the…
A first 360 film, ALL THAT REMAINS marked the Venice Immersive selection by its singularity. As if the…
Noticed in selection at Venice Immersive 2022, THE MAN WHO COULDN’T LEAVE is one of the three Taiwanese…
Despite the growing sense within me that creative XR is dominated by a few particularly indulgent markets, a…
If you’ve been around the immersive festivals this year, chances are you’ve come across Fabito Rychter and Amir…
Over the past two years, the link between virtual worlds and live events has become increasingly close. Covid19…