WIP Annecy 2022 / A look at WALLACE & GROMIT: THE GRAND GETAWAY with Aardman, Atlas V, No Ghost
This year XR@Annecy offered 3 work-in-progress sessions on XR experiences currently in production. Headliners were the protagonists of…
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Interview
Articles, interviews and analysis from XRMust.
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“Our priority is to create our experiences for a general audience in cultural venues” – Arnaud Desjardins (Femme Fatale Studio)
From web creation to immersive experiences, Femme Fatale Studio is a collective of French artists and developers built…
“This year we have received many XR impact works” – Yves Nougarède, Gala Frecon (Annecy Film Festival)
The sun was out for the return of a very physical Annecy festival, the most important worldwide meeting…
“AR as a way to reach a wider audience” – Julian Dorado, Camila Marturano (IAGO: THE GREEN EYED MONSTER)
Presented at Tribeca Immersive 2022, IAGO: The Green Eyed Monster is a prequel to Shakespeare’s Othello that uses…
“Making a 5 episode VR series was an epic production challenge!” – Oriane Hurard, Clement Deneux (MISSING PICTURES)
Several years ago, Atlas V initiated an extraordinary project: to propose a virtual reality series about great filmmakers…
“Redefining the relationship between IRL, online and VR components” – Ana Brzezińska (Tribeca Immersive)
An exciting new edition of the Tribeca Film Festival kicks off today, with an immersive section that reflects…
“Immersive industry grows in contact with traditional cultural institutions” – Stéphane Malagnac (PiXii – Sunny Side of the Doc)
The PiXii Festival is back this year for another 100% physical edition in La Rochelle. Event dedicated to…
“With the Cannes experience on Fortnite, we open the festival to a new connected generation” – Adrien Torres (Brut)
For its 75th anniversary, the Cannes Film Festival renews its media partners, and starts a collaboration with a…
“With our company we want to push further the XR production and distribution in Japan” – Tetsuya Ohashi (Cinemaleap)
Cinemaleap is one of the most active XR companies in Japan. As a content producer (FEATHER, BEAT, Clap…),…
“The maturity of the XR creation is felt in its diversity of proposals, and the interest of cultural venues worldwide” – Elie Levasseur (NewImages)
The NewImages festival returns to Paris for a 2022 edition from June 8 to 12, with a real…
“As Impact Producers, it’s an opportunity to work on large creative projects such as ON THE MORNING YOU WAKE” – Susanna Pollack (Games for Change)
Featured at Sundance and SXSW, ON THE MORNING YOU WAKE (TO THE END OF THE WORLD) is the…
“It’s not about promoting a technology, but a new narrative” – Sönke Kirchhof (INVR.SPACE)
At Stereopsia Europe 2021, Sönke Kirchhof was everywhere. On the VR headsets, in the conferences and discussions, and…