
Sebastiano Vitale: staging AI at architectural scale
At The New Atlas of Digital Art – Immersive Frontiers in Milan last June, hosted by MEET, the term “immersive” is not treated as a

At The New Atlas of Digital Art – Immersive Frontiers in Milan last June, hosted by MEET, the term “immersive” is not treated as a

Welcome to the 6th XRMust Awards! This new edition holds no big surprises if you follow us, with awards mainly going to projects that have

For thirty years, Tarantula has occupied a special place in Luxembourg’s audiovisual landscape: that of an independent producer deeply rooted in auteur cinema, capable of

Meeting Dutch producer–director Richard Valk is a sharp way to read the Dutch landscape. Through Valk Productions, founded in the late 1990s, he has built

Amsterdam is about to get a new kind of museum. In 2026, ENTR will open near Central Station as a space entirely dedicated to cultural

The end of the year always heralds a form of synthesis around projects shown at festivals and/or distributed on the XR market. And at XRMust,

With a catalogue that bridges socially engaged documentary, artist-driven storytelling, and carefully crafted immersive formats, producer An Oost has positioned Cassette for timescapes as one

In recent years, Quebec-based studio Supply + Demand has established itself as a key player in the field of immersive experiences and location-based entertainment worldwide.

Originally, Ride FX was supposed to produce films for amusement parks—hence the name, inspired by Futuroscope-style rides. Covid struck in the year the company was

Held on November 6 in New York, Nocturne Immersion (link) marked a new step in Villa Albertine’s strategy to support immersive creation and transatlantic ties