“In my practice, I have control on how to present realities” – Natalie Paneng (NATALIE’S TRIFECTA)
NATALIE’S TRIFECTA premiered at IDFA, where it won a special jury award for creative technology. The interactive piece…
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Interviews, analysis and field notes on immersive creation, XR and location-based experiences.
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“Social network users now want to turn their cameras to the real world” – Elisabeth Eon, David Letourneau (Atomic Digital Design)
The acceleration of immersive technologies over the past 10 years, along with the rise of social networking, has…
“I wanted to experiment and document how VR filmmaking can be an emancipatory practice for communities” – Myriam Hernandez (GAWI)
GAWI, meaning “Mother Earth”, is a VR dream experience co-created with the Rarámuri, an indigenous community in Northern…
Preview / DUCHAMPIANA VR with Lilian Hess (creator), Sarah Arnaud (producer)
A project that passed through the Biennale College and the IFFR market in Rotterdam, DUCHAMPIANA returns as a…
“With AI, there’s a risk of artificial feeling if you don’t step in as an artist.” – Denis Semionov (Sa1nt Denis)
Russian visual artist Denis Semionov (Sa1nt Denis) has settled in France as a result of a family history…
“With COLORED, we had to confront the physical space and the presence of an audience” – Pierre-Alain Giraud (Novaya)
NOIRE (COLORED) is an experiment that deals with racism and segregation in the USA in the 1950s -…
Digital Rise unveils its 2024 new market strategy at Museum Connections
French immersive producer Digital Rise presents its 2024 line-up addressing cultural venues and events with large scale immersive…
“I created a VR experience where I can see things moving in real time inside my own brain” – Ben Joseph Andrews, Emma Roberts (TURBULENCE: JAMAIS VU)
TURBULENCE: JAMAIS VU, an IDFA DocLab 2023 selected experience, is the first part of a series of mixed…
XRMust XR Awards 2023: A Year in Immersive Storytelling
As we embark on a pivotal year for immersive creation (really?), a glance at 2023 immediately confirms that…
“To offer a vision of the future and a greater understanding of the roles we could play in it” – Karen Palmer (CONSENSUS GENTIUM)
With one of the most successful festival runs for an immersive work in recent years, Consensus Gentium is…
Editorial⎪Back from IDFA DocLab: 30 pieces of Phenomenal Friction
Phenomenal friction. When the New Media team at IDFA came up with this title, they knew it would…
Impactful Storytelling in VR: Field Guide released by Inlusio Interactive (Switzerland)
Interactive storytelling studio Inlusio Interactive releases the Field Guide « The Sensations of Spatial Storytelling in VR ».…