“A modern contemporary audience needs to have agency and empowerment” – Felix Barrett, Maxine Doyle (Punchdrunk)
Looking at the history of the last 20 years, it seems obvious that the revolution of the theatre…
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Interviews, analysis and field notes on immersive creation, XR and location-based experiences.
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Hyper Festival is back, this time in Winnipeg (Manitoba, Canada)
The Brazilian event Hyper Festival, founded by Fabio Hofnik (Brazilian XR curator and creator now based in Winnipeg,…
“I realised that, in a virtual environment, I needed to give the dancers more conceptual content” – Gilles Jobin (COSMOGONY)
I spoke with Gilles Jobin, dancer, choreographer and technologist, about his company’s extraordinary work in the live performance…
“XR creators have a role to play in the development of the immersive industry in Africa” – Arome Ibrahim (Experis Immersive)
As XR continues to gain more ground in Africa, creators are delving into how extended reality can be…
“We need to feel a sense of connection with immersive contents.” – Deepa Mann-Kler (Belfast XR Festival)
Internationally renowned artist, known for her multi-disciplinary work (light, painting, photography…), Deepa Mann-Kler has been involved since 2016…
“We want to multiply genres and formats, while promoting the inclusiveness of XR selection” – Anais Emery, Paola Gazzani Marinelli (GIFF Geneva)
GIFF is back this year with a fresh coat of paint on a proven model. The Festival and…
“It is very important for us to open a dialogue with the spectator, even after the experience” – Ondřej Moravec (TMÁNÍ – DARKENING)
This is one of the most sensitive experiences of Venice Immersive 2022. TMÁNÍ (DARKENING) takes viewers on a…
Wonderspaces and Arizona State University Launch Virtual Reality Film Series
A new award-winning VR experience presented every month on Tempe campus.
“On the value of connection, between the spiritual and physical worlds” – Keisuke Itoh (TYPEMAN)
In the 2022 Venice Immersive lineup and now on its way to Raindance Immersive, TYPEMAN, Keisuke Itoh’s fourth…
Report⎪The Fak’ugesi African Digital Innovation Festival 2022
Last weekend there was a call for collaboration, funding and accessibility from the vibrant centre of Johannesburg, South…
Report⎪NFT, XR Distribution… Report from FNC Forum 2022
As part of the 51st edition of the Festival du Nouveau Cinéma de Montréal, the FNC Forum is…
“I shape environments to create emotions” – Mélanie Courtinat (ALL UNSAVED PROGRESS WILL BE LOST)
It was quite different in Venice in a line-up that was finally very oriented towards linear works. More…