“It seemed essential to us to offer a truly positive and enlightening experience, and not a documentary on the end of life” – Isabelle Andreani (NANA LOU)
How do you take a strong social theme (the end of life, a complex, if not taboo, subject)…
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Articles, interviews and analysis from XRMust.
How do you take a strong social theme (the end of life, a complex, if not taboo, subject)…
If you haven't heard of Luxembourg-based studio Skill Lab yet, memorize it. In addition to the world premiere…
With her passion for space and space exploration, Eliza McNitt contributed to the boom in virtual reality with…
Kicking off next June 6 is the 13th edition of Tribeca Immersive: an innovative program in a brand…
We have now come to the third and final part of our excursus on the CPH:LAB and the…
By turns a virtual reality animated film, an interactive pop culture experience or a work with an impact…
Ioana Mischie is a Romanian-born transmedia artist and futurist, active in the field for almost 12 years. She…
Presented for the first time at the Venice Biennale in 2018 (see our interview at that time, one…
Tung-Yen Chou is a Taiwanese theatre director, filmmaker and founder/artistic director of Very Mainstream Studio and Very Theatre in…
After several years at the heart of the Market, and a reduced presence in favor of a broader…
An initiative launched in the Netherlands at the end of 2022, Nu:Reality brings virtual reality content again into…
One of the most heartwarming and well-designed participatory VR narratives from recent years, THE IMAGINARY FRIEND stands out…