“Incoraggiare una cultura espositiva che supporti l’emergere di nuovi formati” – Liz Rosenthal (Venice Immersive 2024)
L’annuncio di oggi della line-up di Venice Immersive 2024 apre le porte alla nostra (frenetica) attesa per questo…
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Interview
Articles, interviews and analysis from XRMust.
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“Encouraging an exhibition culture that helps new formats emerge” – Liz Rosenthal (Venice Immersive 2024)
Today’s announcement of the Venice Immersive 2024 line-up opens the door to our (frenzied) anticipation for this festival,…
MUTEK Montréal: 25 years of exploration between creation and innovation
MUTEK is now internationally renowned for its cutting-edge digital programming. With venues on 4 continents and in 7…
“Developing a game in mixed reality requires working on the materiality of the gameplay” – Russ Harding (THE INFINITE INSIDE)
Last January, Saltwater Games announced the acquisition of Maze Theory Limited (including Nexus Labs and Quantum Interactive), a…
Portrait: Vincent Morisset, AATOAA to play…
The career of Vincent Morisset, one of Canada's leading artists, is a reflection of his character: generous and…
PatchWorld 1/2 – Between musical creation and virtual community, with Mélodie Mousset
Connected music lover community or music creation application? PatchWorld is both: it provides virtual worlds in which music…
“The history of music is the history of its technological innovations” – Roman Rappak (RISTBAND)
After a successful presence at SXSW, immersive technology and creative studio Ristband just visited GITEX Africa, Morocco, where…
“I consider virtual reality to be an altered state of consciousness” – Adelin Schweitzer (deletere)
An iconoclastic artist committed to hybrid public performance and technological experimentation, Adelin Schweitzer founded deletere laboratories in the…
“With ASTÉRIX: MISSION POTIONS! we want to prove that content is the key element of our strategy” – Benoît Bouthinon (Virtual Room)
Just as the Annecy festival was discussing the importance of brands (or IPs in English) in immersive creation,…
spectacle vivant, scènes numériques / “Live entertainment needs R&D” Alexandra Marin (SAT)
As a key player in Montreal's digital ecosystem, the SAT (Society for Arts and Technology) has established itself…
A look into the 2024 Alternate Realities programme at Sheffield DocFest
The Alternate Realities programme at this year’s just-concluded Sheffield DocFest is pared back, featuring a VR competition, an…
“It seemed essential to us to offer a truly positive and enlightening experience, and not a documentary on the end of life” – Isabelle Andreani (NANA LOU)
How do you take a strong social theme (the end of life, a complex, if not taboo, subject)…