“In my practice, I have control on how to present realities” – Natalie Paneng (NATALIE’S TRIFECTA)
NATALIE’S TRIFECTA premiered at IDFA, where it won a special jury award for creative technology. The interactive piece…
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Articles, interviews and analysis from XRMust.
NATALIE’S TRIFECTA premiered at IDFA, where it won a special jury award for creative technology. The interactive piece…
The acceleration of immersive technologies over the past 10 years, along with the rise of social networking, has…
GAWI, meaning “Mother Earth”, is a VR dream experience co-created with the Rarámuri, an indigenous community in Northern…
A project that passed through the Biennale College and the IFFR market in Rotterdam, DUCHAMPIANA returns as a…
Russian visual artist Denis Semionov (Sa1nt Denis) has settled in France as a result of a family history…
NOIRE (COLORED) is an experiment that deals with racism and segregation in the USA in the 1950s -…
TURBULENCE: JAMAIS VU, an IDFA DocLab 2023 selected experience, is the first part of a series of mixed…
With one of the most successful festival runs for an immersive work in recent years, Consensus Gentium is…
Africa remains a little-known continent when it comes to XR creation. And yet, if you take a close…
Presented as a world premiere last month at GIFF 2023, in the international immersive experience competition, BLOOM is…
Georgy Molodtsov has been a VR programmer and director for many years, active in Russia and Eastern Europe…
After a memorable presentation at the Cannes Film Festival and a successful run at the BFI London Film…