“In my practice, I have control on how to present realities” – Natalie Paneng (NATALIE’S TRIFECTA)
NATALIE’S TRIFECTA premiered at IDFA, where it won a special jury award for creative technology. The interactive piece…
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Interview
Articles, interviews and analysis from XRMust.
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articles Showing 169–180
“Social network users now want to turn their cameras to the real world” – Elisabeth Eon, David Letourneau (Atomic Digital Design)
The acceleration of immersive technologies over the past 10 years, along with the rise of social networking, has…
“I wanted to experiment and document how VR filmmaking can be an emancipatory practice for communities” – Myriam Hernandez (GAWI)
GAWI, meaning “Mother Earth”, is a VR dream experience co-created with the Rarámuri, an indigenous community in Northern…
Preview / DUCHAMPIANA VR with Lilian Hess (creator), Sarah Arnaud (producer)
A project that passed through the Biennale College and the IFFR market in Rotterdam, DUCHAMPIANA returns as a…
“With AI, there’s a risk of artificial feeling if you don’t step in as an artist.” – Denis Semionov (Sa1nt Denis)
Russian visual artist Denis Semionov (Sa1nt Denis) has settled in France as a result of a family history…
“With COLORED, we had to confront the physical space and the presence of an audience” – Pierre-Alain Giraud (Novaya)
NOIRE (COLORED) is an experiment that deals with racism and segregation in the USA in the 1950s -…
“I created a VR experience where I can see things moving in real time inside my own brain” – Ben Joseph Andrews, Emma Roberts (TURBULENCE: JAMAIS VU)
TURBULENCE: JAMAIS VU, an IDFA DocLab 2023 selected experience, is the first part of a series of mixed…
“To offer a vision of the future and a greater understanding of the roles we could play in it” – Karen Palmer (CONSENSUS GENTIUM)
With one of the most successful festival runs for an immersive work in recent years, Consensus Gentium is…
“Developing XR in Africa is a real labour of love” – Brian Afande (BlackRhino VR)
Africa remains a little-known continent when it comes to XR creation. And yet, if you take a close…
“To show the invisible and make the inaudible heard” – Fabienne Giezendanner (BLOOM)
Presented as a world premiere last month at GIFF 2023, in the international immersive experience competition, BLOOM is…
“We always need to understand the local context to build a new XR event” – Georgy Molodtsov (Tbilisi VR Days)
Georgy Molodtsov has been a VR programmer and director for many years, active in Russia and Eastern Europe…
“Murals isn’t just a product. It’s not merely an artwork; it is a mission, a message” – Maciej Zemojcin (MURALS)
After a memorable presentation at the Cannes Film Festival and a successful run at the BFI London Film…