First seen at the latest Venice Immersive, THE TIME BEFORE by filmmaker and animator Leo Metcalf is a deeply moving story told from a child’s perspective. Combining poetic storytelling with carefully crafted interactive design, the work explores memory, consciousness, and the fragility of perception through a hybrid of 2D animation, 360° video, and real-time interaction. […]
The career of Vincent Morisset, one of Canada’s leading artists, is a reflection of his character: generous and inventive. With more than 20 years of awards (Emmy Award, SXSW Interactive Award, Cannes Lion, Japan Media Art Award…) and artistic collaborations
The immersive sector has spent a decade proving that XR can move people. What it has not proven—at least not consistently—is that XR can circulate with the reliability of live entertainment. IN PURSUIT OF REPETITIVE BEATS is one of the
An Immersive Media Institute for Social Good, Agog Offers Strategies and Practical Advice on Establishing a Strong Brand Presence in the Rapidly Evolving Spatial-Computing Landscape. Agog: The Immersive Media Institute today released See Your Brand in 3D – a pioneering
European XR is going through a gray area: ambitious works are proliferating, festivals are multiplying, public funding is intermittent, but few institutions are able to offer a stable, sustainable, and understandable model for the public. In this fragmented landscape, BOZAR,
After the success of GLIMPSE, the British studio Electric Skies continues its exploration of human and sensitive stories with KINDRED – a directorial debut in the form of a personal narrative, closer to a documentary. Meeting with its director, Bambou