In 2024 LFF Expanded welcomes games, and a focus on physical and mental health
The 68th BFI London Film Festival (9 – 20 October) in partnership with American Express is excited to…
Ferryman Collective brings MetaRick’s UNCANNY ALLEY: A NEW DAY to Venice 2024
A cyberpunk hacker must lead escaped detainees to freedom through a hacked portal before a fascist corporation erases…
GOLIATH: PLAYING WITH REALITY narrator Tilda Swinton to continue her work on second chapter IMPULSE
Today Anagram, the award-winning studio that brought you the Venice Immersive Grand Jury Prize-winning Goliath: Playing with Reality,…
Developing an international network of creative industries: the Villa Formose residency, between France and Taiwan
The development of the cultural and creative industries, particularly in terms of immersion and new media, owes much…
Venice Immersive 2024: rendez-vous on Lazzaretto Vecchio (everything you need to know)
The selection of projects for Venice Immersive, the XR – Extended Reality section of the 81st Venice International…
“Developing a game in mixed reality requires working on the materiality of the gameplay” – Russ Harding (THE INFINITE INSIDE)
Last January, Saltwater Games announced the acquisition of Maze Theory Limited (including Nexus Labs and Quantum Interactive), a…
PatchWorld 2/2 – What can you use it for?
Connected music lover community or music creation application? PatchWorld is both: it provides virtual worlds in which music…
PatchWorld 1/2 – Between musical creation and virtual community, with Mélodie Mousset
Connected music lover community or music creation application? PatchWorld is both: it provides virtual worlds in which music…
“I consider virtual reality to be an altered state of consciousness” – Adelin Schweitzer (deletere)
An iconoclastic artist committed to hybrid public performance and technological experimentation, Adelin Schweitzer founded deletere laboratories in the…
“With ASTÉRIX: MISSION POTIONS! we want to prove that content is the key element of our strategy” – Benoît Bouthinon (Virtual Room)
Just as the Annecy festival was discussing the importance of brands (or IPs in English) in immersive creation,…
XR Focus / Germany, a not-so-sleepy giant of immersive creation
Since the virtual reality resurgence, Germany has been among the top three European countries in terms of production…
spectacle vivant, scènes numériques / “Live entertainment needs R&D” Alexandra Marin (SAT)
As a key player in Montreal's digital ecosystem, the SAT (Society for Arts and Technology) has established itself…