Editorial⎜About immersive audio, a look back at DOK Exchange XR 2024
In 1989, speaking of virtual reality, Jonathan Carey wrote that “spectacular power cannot be reduced to an optical…
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Articles, interviews and analysis from XRMust.
In 1989, speaking of virtual reality, Jonathan Carey wrote that “spectacular power cannot be reduced to an optical…
The end of the year always heralds a form of synthesis around projects shown at festivals and/or distributed…
There was an irony at the core of IDFA’s DocLab programme this year. Distribution, which has long been…
Emmy Award-winning Felix & Paul Studios, creators of SPACE EXPLORERS, the largest immersive production ever filmed in space, is…
The Geneva International Film Festival this year was, for me, an enlightening experience. During the event, I had…
We're all familiar with CENTQUATRE-PARIS, an institution in the north of Paris that hosts a multi-cultural annual programme…
Did you think we would stop at two? Think again! Because the interview with Ferryman Collective at Venice…
In the first part of this article, we had the chance to introduce the fascinating world and engaging…
It's just days before the Venice Film Festival begins, and a dear friend of mine who works in…
At the beginning of November in Marseille, some 1,300 professionals from the cultural and creative industries (ICC) gathered…
Joanne Popinska (Polish-Canadian XR creator and curator) and Weronika Lewandowska (Polish XR creator and curator) are hard at…
With its wide-ranging coverage of immersive, cultural and industrial activities, Stereopsia in Brussels is the end-of-year event for…