It’s just days before the Venice Film Festival begins, and a dear friend of mine who works in film criticism and I receive an invitation
At the beginning of November in Marseille, some 1,300 professionals from the cultural and creative industries (ICC) gathered for the launch of the Chroniques Bienniale,
Joanne Popinska (Polish-Canadian XR creator and curator) and Weronika Lewandowska (Polish XR creator and curator) are hard at work as autumn draws to a close.
With its wide-ranging coverage of immersive, cultural and industrial activities, Stereopsia in Brussels is the end-of-year event for many professionals. An opportunity to decompress before
At GIFF 2024, the International Immersive Experience Competition featured RAVE, an immersive work by Patrick Muroni that made its world premiere during the 30th edition
We recently had the chance to explore the remarkable work being done at Agog, the immersive media institute for social good founded by Wendy Schmidt
The DocLab section of the IDFA is a key event for digital creation, in the broadest sense of the term, and returns this year with
For five years now, Ágnes Karolina Bakk and András Szabó have brought tightly curated VR exhibits to the Verzio Human rights documentary festival. In 2015,
“VR cinema”: an idea as old as the return of virtual reality content to the general public 10 years ago. It has naturally occurred with
Immersive filmmaker Joséphine Derobe presented BEAR MY SOUL, her project inspired by the dream world of the animist peoples of the Far North, at the
