CPH:LAB 2024: Anamnesis, Fay: Carving Memories, Paradise Lost (part 3)
We have now come to the third and final part of our excursus on the CPH:LAB and the…
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Latest from XRMust
Interviews, analysis and field notes on immersive creation, XR and location-based experiences.
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articles Showing 217–228
XR&Games, Competition, Work in Progress… Discover the entire immersive program of Annecy 2024
The world’s premier animation festival, Annecy (and its market, MIFA), is well aware of immersive innovations. With an…
“Integrating several mythologies into the story allowed us to develop a more universal experience” – Poulomi Basu, CJ Clarke (MAYA: THE BIRTH OF A SUPERHERO)
By turns a virtual reality animated film, an interactive pop culture experience or a work with an impact…
Editorial⎜Marshmallow Laser Feast, And Why The Cannes Immersive Competition Could Change Everything For XR
This year the Cannes Film Festival made the historic decision to create the “Immersive Competition”, a new category…
“Immersive experiences shall open up multi-layered discussions between all generations, between all perspectives of this world” – Ioana Mischie (HUMAN VIOLINS – PRELUDE)
Ioana Mischie is a Romanian-born transmedia artist and futurist, active in the field for almost 12 years. She…
How can we structure an eco-responsible supply chain for XR?
The server's on fire and we're looking the other way? This misleading phrase caustically reflects the digital and…
“Shifting the focus of the story from interaction to narrative” – Mathieu Pradat (THE ROAMING)
Presented for the first time at the Venice Biennale in 2018 (see our interview at that time, one…
“With TRAVERSING THE MIST, we share a certain intimacy between each other” – Tung-Yen Chou (Very Theatre)
Tung-Yen Chou is a Taiwanese theatre director, filmmaker and founder/artistic director of Very Mainstream Studio and Very Theatre in…
“It’s time to make immersive creation part of the long history of the narrative arts” – Thierry Frémaux, Elie Levasseur (Cannes Film Festival – Immersive Competition)
After several years at the heart of the Market, and a reduced presence in favor of a broader…
“We’re working on a distribution platform that can go beyond cinemas” – Babette Wijntjes, Camille Lopato (Nu:Reality)
An initiative launched in the Netherlands at the end of 2022, Nu:Reality brings virtual reality content again into…
“This project started out from a question: what role should the audience have in VR?” – Corine Meijers, Steye Hallema (THE IMAGINARY FRIEND)
One of the most heartwarming and well-designed participatory VR narratives from recent years, THE IMAGINARY FRIEND stands out…
“There’s a real need for permanent venues dedicated to digital art and new media” – Natasha Greenhalgh (Nxt Museum)
“The home of new media art” - Amsterdam is not shy when it comes to museums, cultural discoveries…