At the Cannes Film Festival, an all-in-one immersive white box—is it set to become the new standard?
With its two key pillars — an immersive selection and a market bringing together international professionals — the…
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Between Curators
Articles, interviews and analysis from XRMust.
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CPH:LAB: a talent programme to reshape ideas and imaginaries – Interview with Stella Ntavara (CPH:LAB 2026)
CPH:LAB, CPH:DOX’s talent development programme for boundary-pushing documentary and immersive work, concluded its latest edition in March. After following…
Lincoln Center as an Open-Air Immersive Lab: Jordana Leigh’s Method for Bringing XR Into the Season
Immersive work is no longer a side attraction tacked onto a performing arts calendar. At the Lincoln Center…
At DOK: a deep dive into Leipzig’s DOK Neuland and DOK Exchange programmes
The DOK Neuland XR exhibition and DOK Exchange conference, taking place as part of DOK Leipzig (27 October…
“Festivals matter more than ever, as places where work is promoted, ideas circulate, and different viewpoints are expressed” – Anaïs Emery (GIFF 2025)
Opening on October 31, the 31st GIFF (Geneva International Film Festival) presents an immersive section full of new…
“Having a strong digital ecosystem should encourage the local art scene to take an interest in it” – Ondřej Moravec (Art*VR Festival 2025)
Created in Prague in 2023, Art*VR has grown every year since. With new sections, new formats, and a…
“A growing interest in telling big stories through a language that’s much closer to cinema than in the past” – Liz Rosenthal, Michel Reilhac (Venice Immersive 2025)
Nearly ten years after the first edition of the world’s largest international immersive event, Venice Immersive returns with…
Preview⎜“In Search of Us”, a 2025 Tribeca Immersive line-up, with Onassis ONX and Agog
After its big-digital artwork edition at Mercer Labs last year, Tribeca Film Festival’s immersive programme now shifts to…
“A focus on cross-arts programming, with immersive being the sixth art form” – Luke Kemp (Barbican Immersive)
As we await the opening of an exciting new exhibition at London’s Barbican Centre, titled Feel the Sound…
“Creating a space where artists can engage in critical conversations” – Mark Atkin (CPH:DOX Inter:Active 2025)
The new edition of CPH:DOX will begin on March 19th, with this year’s immersive section focused on exploring…
“New immersive technologies are an important question for European institutions” – Pascal Diot (Stereopsia, EMIC)
For its return to the Christmas season and as a flagship event at the end of the year,…
“To offer a concrete access point to the XR world for artists and startups” – Federico Anselmi (Immersive Tech Week)
Having concluded just a few days ago, the IMPULSE Funding Market at VRDays’ Immersive Tech Week, this year…