Connecting territories, structuring distribution: Numix Lab’s ambition for European immersive experiences

Launched in 2021 by the Quebec association Xn Québec and the French cultural agency {CORRESPONDANCES DIGITALES], Numix Lab has established itself as much more than just a digital culture event: it is a structuring mechanism for a creative sector that is still consolidating. In immersive storytelling, digital art, and interactive formats, value is not limited […]

---

Not gonna lie: this part is locked 😬

Memberships help us keep XRMust independent and keep the project growing.

👉 Log in or subscribe to read the full article. Or go back to the homepage.

@ Dabatase

@ Magazine

BOZAR: anatomy of an institutional model for European immersive art

European XR is going through a gray area: ambitious works are proliferating, festivals are multiplying, public funding is intermittent, but few institutions are able to offer a stable, sustainable, and understandable model for the public. In this fragmented landscape, BOZAR,

“Executive production as an act of curation” – Liz Rosenthal (Power to the Pixel)

After the recent run at The Observatory in London of Soul Paint, the multi-award winning virtual reality experience by Sarah Ticho and Niki Smit (and one of the winning pieces of XRMust’s 2024 XR Awards), we met with executive producer

“Apple Vision Pro opens the door to a wider audience than XR enthusiasts” – Thibault Mathieu (Wilkins Avenue AR)

Thibault Mathieu is an immersive technology entrepreneur who worked the mixed reality frontier early on with OUT THERE, a musical experience for Magic Leap released in late 2019. Five years on, this promise is being realized through the ambitions of

An Exhibition of Care: ./local_memory: soft systems at Gray Area

On Friday April 17th, the show ./local_memory: soft systems opened at Gray Area, San Francisco. This was a three night showcase of immersive art+tech installations by fifteen emerging Bay Area creators that reimagine the digital self through ritual, memory, and

“FREE UR HEAD emerges as an experiment on the power of the individual over the collective” – Tung-Yen Chou (Very Theatre)

A leading director on the Taiwanese and international scene, founder of the Very Mainstream Studio and Very Theatre in Taipei, Tung-Yen Chou is no stranger to the immersive sphere. Although his use of technology is already apparent in his theatrical

“Virtual production can meet the requirements of feature film and audiovisual fiction” – Lancelot Rumney-Guggenheim (MADO XR)

It is a happy coincidence – or a real choice – to have located the MADO XR set in the heart of the Epinay-Sur-Seine studios (France) owned by the TSF company, founded more than 100 years ago and emblematic of