“New immersive technologies are an important question for European institutions” – Pascal Diot (Stereopsia, EMIC)

Mathieu G.

For its return to the Christmas season and as a flagship event at the end of the year, after two editions in the autumn, Stereopsia in Brussels innovated with the opening of a new market dedicated to all new forms of immersive creation - across all industries. The EMIC (European Market for Immersive Creativity) aims […]

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“Avatars as extensions of ourselves that offer new perspectives” – Kazuki Yuhara (FIRST VIRTUAL SUIT)

A bright experiment in an often serious field, FIRST VIRTUAL SUIT turns identity into play, showing that immersive storytelling doesn’t always lose its effectiveness when it makes you laugh rather than cry. Cover: FIRST VIRTUAL SUIT, Kazuki Yuhara (Cinemaleap) In

“A lab to dig down to the core of the story and break down expectations about immersive productions” – Mads Damsbo (EUCL)

The European Creators Lab, which for years has supported artists from a wide variety of fields in developing their immersive projects, is back for 2024. The new call to participate in next April’s Development Lab is now open, and you

Connecting territories, structuring distribution: Numix Lab’s ambition for European immersive experiences

Launched in 2021 by the Quebec association Xn Québec and the French cultural agency {CORRESPONDANCES DIGITALES], Numix Lab has established itself as much more than just a digital culture event: it is a structuring mechanism for a creative sector that

“To offer a vision of the future and a greater understanding of the roles we could play in it” – Karen Palmer (CONSENSUS GENTIUM)

With one of the most successful festival runs for an immersive work in recent years, Consensus Gentium is a futuristic experience that speaks to the present, fascinates and disquiets, and asks us to face the society in which we live

“New media experiences should be inspired by the video game industry” – Nicolas Pelloille-Oudart (ØRÐESA, UNMAZE)

Despite a global pandemic, the French creative studio Hiver Prod has not been idle and has adapted to the circumstances to offer two interactive experiences distributed by Arte in less than a year: the interactive film ØRÐESA in the fall

Poetics and the New Opening of Greece’s Immersive Scene

In this conversation with Byron Chrysovergis, founder of Poetics, what emerges is not the portrait of a market already in place, but of a country where new openings are starting to appear for immersive exhibitions. Greece does not yet have