Editorial⎜Is getting stood up in the virtual world better or worse than in real life?
Or if your date or encounter just doesn’t deliver what you had hoped from the other person? Could…
Magazine
Latest from XRMust
Interviews, analysis and field notes on immersive creation, XR and location-based experiences.
749
articles Showing 73–84
“We wanted to find ways to transition the audience from the virtual experience to the physical one within the narrative structure itself” – Phoebe Greenberg, Craig Quintero (BLUR)
One of the events at this year's Venice Film Festival, in the immersive section, was the presentation of…
“The Apple Vision Pro, while not perfect in its first version, is renewing interest in immersive applications” – Tom Krikorian (Tab To Tap)
A l’occasion du prochain événement Apple le 9 septembre prochain, nous allons à la rencontre de la communauté…
Scientific truth and immersive illusion: XR, the test of reality
Extended reality is not just a new visual language. It is also a field where tensions between scientificity,…
“I wanted to imagine an experience that would allow us to better express our identity through our physicality” – Sarah Silverblatt-Buser (COLLECTIVE BODY)
COLLECTIVE BODY is a multi-user virtual reality dance project that is having its world premiere at Venice Immersive…
“I always try to bring visual poetry to our animation projects” – Amaury Campion (Studio Geppetto)
Studio Geppetto is a French creative studio specializing in animation and motion design for narrative projects in virtual…
“There are fascinating worlds to explore thanks to new technologies” – Katharina Weser (Reynard Films)
Reynard Films (based in Leipzig, Germany) is a recognized name in the immersive ecosystem, with its ability to…
“HEARTBEAT is an experience that ultimately draws on very personal memories” – Bonnie Lisbon (ENTER.black)
At Venice Immersive 2025, Bonnie Lisbon presents the immersive film HEARTBEAT - SON CŒUR A TROUVÉ SA CADENCE…
EXCLUSIVE! Official poster artwork for A LONG GOODBYE by Kate Voet & Victor Maes
Belgium’s Cassette for timescapes and Paris-based distributor ASTREA share the official poster artwork for Venice title A LONG…
“A project where each component can stand on its own, while still belonging to a unified whole” – Michelle Kranot, Peter Fisher, Kathrine Fremming (THE GARDEN SAYS…)
How does an immersive work come to life and evolve? At XRMust we often ask ourselves this question,…
One big family: Onassis, ONX and the intersection of culture, technology and art
The Onassis Foundation has a big mission: to be a catalyst and embrace constant innovation and creative disruptions…
“A growing interest in telling big stories through a language that’s much closer to cinema than in the past” – Liz Rosenthal, Michel Reilhac (Venice Immersive 2025)
Nearly ten years after the first edition of the world’s largest international immersive event, Venice Immersive returns with…