A look at TRACES : THE GRIEF PROCESSOR, and the invisible pain that we carry
Montreal made, multi-user interactive VR experience TRACES : THE GRIEF PROCESSOR, directed by Vali Fugulin, invites you to…
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Interviews, analysis and field notes on immersive creation, XR and location-based experiences.
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S+T+ARTS 2025 Winners: Sarah Ciston won the Grand Prize for Artistic Exploration
S+T+ARTS is announcing the 2025 prize winners. Sarah Ciston is awarded with the Grand Prize – Artistic Exploration…
“Our intention, with Édith Canat de Chizy, is to keep the audience close to the performer.” – Blanca Li (THE SHADOW)
Presented as part of the IRCAM’s Manifeste 2025 festival, THE SHADOW is an augmented dance piece created by…
Editorial⎜Five Reasons Why I Keep Falling for CPH:DOX Inter:Active
CPH:DOX Inter:Active 2025: a declaration of love in five points to a festival with a big heart. Cover:…
“Form follows people… and the stories they want to tell” – Stephan Bernardes, Lukas Koll (Arkanum Pictures)
At the NewImages market, this year, we had the opportunity to discover two projects that immediately called for…
VIVE Arts, Musée de la musique – Philharmonie de Paris and Atlas V to Debut PLAYING WITH FIRE, a New Immersive Concert Experience with acclaimed Pianist Yuja Wang
The pioneering mixed-reality installation PLAYING WITH FIRE: AN IMMERSIVE ODYSSEY with Yuja Wang offers audiences a bold reimagining…
“Entertainment isn’t about being superficial. It’s about creating an environment people genuinely want to return to, emotionally and imaginatively”- Rene Hyewon Lee (GiiÖii)
At this year’s NewImages Festival, XRMust had the opportunity to meet one of the festival’s most significant delegations:…
“Technology as the lens through which the artwork is viewed and a tool to understand it” – Ugo Arsac, Marie Point, William Board (GIRLFRIEND EXPERIENCE)
GIRLFRIEND EXPERIENCE, created by Ugo Arsac and produced by William Board, Marie Point, and Mathieu Rozières, is an…
Preview⎜“In Search of Us”, a 2025 Tribeca Immersive line-up, with Onassis ONX and Agog
After its big-digital artwork edition at Mercer Labs last year, Tribeca Film Festival’s immersive programme now shifts to…
“Film festivals have to approach immersive works from an artistic perspective, beyond any fascination with technology” – Elie Levasseur (Cannes Film Festival)
For the second consecutive year, the Cannes Film Festival showcased a Competition featuring nine immersive works. A market…
“I’m intrigued by AR’s power to transform the world we’re already in, simply by adding a layer of narrative” – Robert Morgan
Two months after the release of his book Storytelling for Spatial Computing and Mixed Reality: The Art of…
“I wanted to demonstrate as a filmmaker that powerful immersive storytelling is within reach” – Jake Oleson (CURRENTS)
Jake Oleson’s CURRENTS is an immersive VR180 film made for the Apple Vision Pro in partnership with Vimeo,…