Rethinking the narrative function of technology – Jamie Armitage (A GHOST IN YOUR EAR)
An in-depth look at Jamie Armitage’s new stage production, A GHOST IN YOUR EAR, currently running at London’s…
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Articles, interviews and analysis from XRMust.
An in-depth look at Jamie Armitage’s new stage production, A GHOST IN YOUR EAR, currently running at London’s…
At The New Atlas of Digital Art – Immersive Frontiers in Milan last June, hosted by MEET, the…
For thirty years, Tarantula has occupied a special place in Luxembourg's audiovisual landscape: that of an independent producer…
Presented in 2025 at SXSW and recently at the Geneva International Film Festival, FUTURE BOTANICA is an augmented…
Meeting Dutch producer–director Richard Valk is a sharp way to read the Dutch landscape. Through Valk Productions, founded…
With a catalogue that bridges socially engaged documentary, artist-driven storytelling, and carefully crafted immersive formats, producer An Oost…
COLOUR TO LIFE is a project created by two students from a HEAD - Genève, Antonin Ricou and…
In recent years, Quebec-based studio Supply + Demand has established itself as a key player in the field…
Originally, Ride FX was supposed to produce films for amusement parks—hence the name, inspired by Futuroscope-style rides. Covid…
This year, the GIFF (Geneva International Film Festival) teamed up for the first time with the contemporary music…
We recently had the opportunity to reconnect with Melodie Mousset and dive back into EMPATHY CREATURES, a work…
First seen at the latest Venice Immersive, THE TIME BEFORE by filmmaker and animator Leo Metcalf is a…