FreeRoaming #04 – Touring IN PURSUIT OF REPETITIVE BEATS: the economic realities of LBE distribution
The immersive sector has spent a decade proving that XR can move people. What it has not proven—at…
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Articles, interviews and analysis from XRMust.
The immersive sector has spent a decade proving that XR can move people. What it has not proven—at…
In this conversation with Byron Chrysovergis, founder of Poetics, what emerges is not the portrait of a market…
BURDEN OF OTHER PEOPLE’S DREAMS: BOOK ONE – GANYMEDE is a surreal, abstract memoir of Joe Bini's life…
In the context of the international structuring of XR, the Netherlands has, in recent months, set up a…
Free-roam VR is entering a make-or-break phase: the sector doesn’t need more proof that the format can amaze—it…
Ahead of the new edition of CPH:DOX Inter:Active, we spoke with curator Mark Atkin about this year’s lineup…
Immersive work is no longer a side attraction tacked onto a performing arts calendar. At the Lincoln Center…
Film Fund Luxembourg occupies a singular position within the European ecosystem: a powerful public instrument, backed by a…
Museums are no longer asking whether immersive experiences “can work” in their walls. The real question is whether…
Müzeverse, now the main operator for immersive experiences in Istanbul and Türkiye, was engineered, step by step, in…
Bruno Ribeiro describes himself as a show director and media artist, with a straightforward guiding principle: to create…
Launched in 2021 by the Quebec association Xn Québec and the French cultural agency {CORRESPONDANCES DIGITALES], Numix Lab…